Book Title: Return to the Eyrie
Series: Medieval Hungary
Author: Katerina Dunne
Publication Date: 30 April 2024
Publisher: Historium Press
Page Length: 404
Genre: Historical Fiction (Medieval) / Historical Romance
Triggers: battle violence (moderate), love scenes (moderate), character suffering from childhood trauma (molestation)
Twitter Handle: @cathiedunn
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Book Title and Author Name:
Return to the Eyrie
by Katerina Dunne
Blurb:
Honour, revenge, and the quest for justice.
Belgrade, Kingdom of Hungary, 1470:
Raised in exile, adolescent noblewoman Margit Szilágyi dreams of returning to her homeland of Transylvania to avenge her father’s murder and reclaim her stolen legacy. To achieve this, she must break the constraints of her gender and social status and secretly train in combat.
When the king offers her a chance at justice, she seizes it—even if it means disguising herself as a man to infiltrate the vultures’ nest that now occupies her ancestral ‘eyrie’.
Plagued by childhood trauma and torn between two passionate loves, Margit faces brutal battles, her murderous kin’s traps and inner demons on her quest for vengeance. Only by confronting the past can she reclaim her honour—if she can survive long enough to see it through.
Return to the Eyrie is an epic coming-of-age tale of a young woman’s unwavering pursuit of justice and destiny in 15th century Hungary.
My research for Return to the Eyrie
One of the main elements of historical fiction is thorough research. If an author wants to captivate their readers and make them feel as if they are participating in the story, it’s very important to re-create the period in which the novel is set. Historical background, events and personalities, politics, culture and society, geography, moral values, clothing, food, language, behaviours—these are some of the elements that an author needs to research when writing historical fiction.
In Return to the Eyrie, I have tried to re-create the turbulent period of late 15th-century Hungary: a large, multi-enthnic and multi-cultural kingdom which, in modern-day terms, extended from Southern Poland to Belgrade and from Croatia and Eastern Austria to Central Romania.
My general research included primary sources (such as chronicles, correspondence, literature and legislation of the time) but also secondary sources (scholarly work from the 19th, 20th and 21st century about the time period)
These sources helped me understand the historical and political events of the time, ie. the framework within which my story takes place. Although my main characters are fictional, I needed to place them in real locations, battles and other historical settings.
For specifics like architecture, clothes, weaponry, cultural and societal details (such as the position of women in society, inheritance laws, wedding ceremonies etc), further research was required. For instance, I used itineraries of the Hungarian king and the Royal Judge to make sure they were really present in the locations I put them in certain scenes of the novel.
As I had already done an MPhil degree in Medieval History, I knew where to look for the various books, essays and articles and how to study them. In addition, I joined a medieval combat group here in Ireland in order to learn the basics of hand-to-hand fighting with medieval weapons (I must admit that was the most enjoyable part of my research!)
It also helped immensely that I can read Hungarian and I have some good friends in Hungary as the majority of the material is in the Hungarian language. It’s only during the last couple of decades that more and more research output has been published in English. The newer Hungarian researchers represent a more balanced approach to the primary sources as opposed to, let’s say, the ones from the 19th and early 20th century who viewed the medieval events from a patriotic (and sometimes even nationalist) standpoint, or the scholars of the communist era who applied the marxist theory to their research.
Another important element of historical fiction is to weave the history into the story without making your novel sound like a history book. Long exposition passages describing events or locations prevent the readers’ immersion into the story. In my opinion, the historical elements need to be presented from the point of view of a character. In other words, the author should show how the particular event, landscape etc affects the characters personally and forms part of their arc.
Of course, there are times where I took some liberties with the history to suit my narrative; but I have noted the main parts where this happened in my Author’s Note.
I hope that with Return to the Eyrie—and my first novel Lord of the Eyrie—I have achieved my goal as a historical fiction writer to entertain my readers but also help them learn and understand the fascinating history, society and culture of late 15th-century Hungary. To me, the best reward is when the readers comment that they felt as if they were part of the story, and that they learned so much about a period and location they were not familiar with.
For reference, here are some of the many resources I used in my research. In addition to these physical books, I also used e-books and articles in electronic format as well as online databases (such as the one from the Hungarian National Archives).
Buy Link:
Universal Buy Link: https://books2read.com/u/bz8gJL
Author Bio:
Katerina Dunne is the pen-name of Katerina Vavoulidou. Originally from Athens, Greece, Katerina has been living in Ireland since 1999. She has a degree in English Language and Literature from the University of Athens, an MA in Film Studies from University College Dublin and an MPhil in Medieval History from Trinity College Dublin.
Katerina is passionate about history, especially medieval history, and her main area of interest is 13th to 15th century Hungary. Although the main characters of her stories are fictional, Katerina uses real events and personalities as part of her narrative in order to bring to life the fascinating history of the medieval Kingdom of Hungary, a location and time period not so well-known to English-speaking readers.
Return to the Eyrie (published April 2024) is the second book in the Medieval Hungary series, a sequel to Lord of the Eyrie (published in February 2022).
Author Links:
Website (publisher): https://www.thehistoricalfictioncompany.com/hp-authors/katerina-dunne
Facebook: https://www.facebook.com/profile.php?id=100076818802721
LinkedIn: https://www.linkedin.com/in/katerina-vavoulidou-07962a85/
Amazon Author Page: https://www.amazon.com/stores/Katerina-Dunne/author/B09R4P733K
Goodreads: https://www.goodreads.com/author/show/22196953.Katerina_Dunne















